A Slightly Pregnant Man

Jacques Demy was one of the most approachable filmmakers to appear in the wake of the French New Wave. Uninterested in the formal experimentation of Alain Resnais, or the political agitation of Jean-Luc Godard, Demy instead created a self-contained fantasy world closer to that of François... Truffaut, drawing on musicals, fairytales and the golden age of Hollywood. After working with the animator Paul Grimault and the filmmaker Georges Rouquier, Demy directed his first feature film, Lola, in 1961, with Anouk Aimée playing the eponymous cabaret singer. The Demy universe here emerges full-fledged. Characters burst into song ; iconic Hollywood imagery is lovingly appropriated as in the opening scene with the man in a white Stetson in the Cadillac, daringly set to Beethoven's "Seventh Symphony"; plot is dictated by the director's fascination with fate, and stock themes of chance encounters and long-lost love; and the setting, as with so many of Demy's films, is the French Atlantic coast of his childhood, specifically the seaport town of Nantes.
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