Antonio da Correggio

The National Gallery is an art museum on Trafalgar Square, London, United Kingdom. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and... Sport. Its collection belongs to the public of the United Kingdom and entry to the main collection is free of charge. Unlike comparable art museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, an insurance broker and patron of the arts, in 1824. After that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two thirds of the collection. The resulting collection is small in size, compared with many European national galleries, but encyclopaedic in scope; most major developments in Western painting "from Giotto to Cézanne" are represented with important works.
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The Museo del Prado is the main Spanish national art museum, located in central Madrid. It features one of the world's finest collections of European art, from the 12th century to the early 19th century, based on the former Spanish Royal Collection, and unquestionably the best single collection of... Spanish art. Founded as a museum of paintings and sculpture, it also contains important collections of other types of works. A new, recently opened wing enlarged the display area by about 400 paintings, and it is currently used mainly for temporary expositions. El Prado is one of the most visited sites in the world, and it is considered to be among the greatest museums of art. The large numbers of works by Velázquez and Francisco de Goya , Titian, Rubens and Bosch are among the highlights of the collection. The collection currently comprises around 7,600 paintings, 1,000 sculptures, 4,800 prints and 8,200 drawings, in addition to a large number of other works of art and historic documents.
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The Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. It is a building that was from the first integral with its gardens, nowadays considered quite separately by tourists as the Villa Borghese gardens. The Galleria Borghese houses a substantial part... of the Borghese collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V . The Villa was built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a party villa at the edge of Rome. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his Boy with a Basket of Fruit, St. Jerome, Sick Bacchus and others. Other paintings of note include Titian's Sacred and Profane Love, Raphael's Entombment of Christ and works by Peter Paul Rubens and Federico Barocci. The Casina Borghese lies on the outskirts of seventeenth-century Rome.
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The Kunsthistorisches Museum is an art museum in Vienna, Austria. Housed in its festive palatial building on Ringstraße, it is crowned with an octagonal dome. The term Kunsthistorisches Museum applies to both the institution and the main building. It was opened in 1891 at the same time as the... Naturhistorisches Museum, by Emperor Franz Joseph I of Austria-Hungary. The two museums have identical exteriors and face each other across Maria-Theresien-Platz. Both buildings were built between 1872 and 1891 according to plans drawn up by Gottfried Semper and Karl Freiherr von Hasenauer. The two Ringstraße museums were commissioned by the Emperor in order to find a suitable shelter for the Habsburgs' formidable art collection and to make it accessible to the general public. The façade was built of sandstone. The building is rectangular in shape, and topped with a dome that is 60 meters high. The inside of the building is lavishly decorated with marble, stucco ornamentations, gold-leaf, and paintings.
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The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th century. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French and Spanish painters of the period are also among the... gallery's attractions. The Old Masters are part of the Dresden State Art Collections. The collection is located in the Semper Gallery, the gallery wing of the Zwinger. When the Kunstkammer of the Electors of Saxony in Dresden was founded by Augustus, Elector of Saxony in 1560, paintings were subordinate to collectors' pieces from science, other art works and curiosities. It was not until the beginning of the 18th century that Augustus II the Strong and his son Frederick Augustus II started to collect paintings systematically. Over a period of less than 60 years, these two art-loving Electors of Saxony, who were also Kings of Poland, expanded the collections significantly. In 1745, the 100 best pieces of the collection belonging to the Duke of Modena were purchased, arriving in Dresden the following year.
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Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe.... Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual sophistication as well as its artificial qualities. The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. For example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is also used to refer to some Late Gothic painters working in northern Europe from about 1500 to 1530, especially the Antwerp Mannerists—a group unrelated to the Italian movement. Mannerism also has been applied by analogy to the Silver Age of Latin.
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In art history, High Renaissance, is the period denoting the apogee of the visual arts in the Italian Renaissance. The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to... have ended in 1527 with the sacking of Rome by the troops of Charles V. This term was first used in German in the early nineteenth century, and has its origins in the "High Style" of painting and sculpture described by Johann Joachim Winckelmann. Over the last twenty years, use of the term has been frequently criticized by academic art historians for over-simplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. The High Renaissance is traditionally taken to refer to a period of exceptional artistic production in the Italian states, principally Rome, capital of the Papal States, under Pope Julius II. Assertions about where and when the period begins and ends vary, but in general the best-known exponents of painting of the High Renaissance, include Leonardo da Vinci, early Michelangelo and Raphael.
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In the 15th century Venetian painting developed through influences from the Paduan School and Antonello da Messina, who introduced the oil painting technique of Early Netherlandish painting. It is typified by a warm colour scale and a picturesque use of colour. Among the leading early masters were... the Bellini and Vivarini families, followed by Giorgione and Titian, then Tintoretto and Veronese. In the 18th century Venetian painting had a final flowering in Tiepolo's decorative painting and Canaletto's and Guardi's panoramic views. But these are merely a few of the most outstanding in a great number of artists in the Venetian tradition, many originally from outside the Republic's territory. The extinction of the Republic by French Revolutionary armies in 1797 effectively brought the distinctive Venetian style to an end; it had at least arguably outlasted its rival Florence in that respect.
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