Deutsch-Amerikanische Freundschaft

Mute is an independent record label based in the UK. It was founded in 1978 by Daniel Miller and featured several prominent musical acts on its roster such as Goldfrapp, Depeche Mode, Yazoo, Erasure, Fad Gadget and Grinderman. During 1978, Daniel Miller began recording music using synthesisers... under the name The Normal. He recorded the tracks "T.V.O.D." and "Warm Leatherette", and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single. "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed. After meeting Robert Rental , Miller began recording and playing live as Robert Rental & The Normal. In 1979 they went on tour supporting the punk band Stiff Little Fingers, who had just released an album that was being distributed by Rough Trade. In 1980, Miller released the single, "Kebabtraume", by the German band Deutsch-Amerikanische Freundschaft , who had recently moved to London.
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Electronic music is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can... be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer. Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain. Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back.
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