Fernand Léger

The San Francisco Museum of Modern Art is a modern art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art and was the first museum on the West Coast devoted solely to 20th century art. The... museum’s current collection includes over 26,000 works of painting, sculpture, photography, architecture, design, and media arts. The building complex was designed by Swiss architect Mario Botta. SFMOMA's Research Library was established in 1935 and contains extensive resources pertaining to modern and contemporary art, including books, periodicals, artists’ files, and lecture recordings. The museum also houses a restaurant, Caffè Museo, and a coffee bar run by the Blue Bottle Coffee Company. SFMOMA was founded in 1935 under director Grace L. McCann Morley as the San Francisco Museum of Art. For its first sixty years, the museum occupied the fourth floor of the War Memorial Veterans Building on Van Ness Avenue in the Civic Center. A gift of 36 artworks from Albert M. Bender, including The Flower Carrier by Diego Rivera, established the basis of the permanent collection.
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Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement in the arts, its set of cultural tendencies and associated cultural movements, originally arising from wide-scale and far-reaching changes to Western... society in the late 19th and early 20th centuries. In particular the development of modern industrial societies and the rapid growth of cities, followed then by the horror of World War I, were among the factors that shaped Modernism. Related terms are modern, modernist, contemporary, and postmodern. In art Modernism explicitly rejects the ideology of realism, and makes use of the works of the past, through the application of reprise, incorporation, rewriting, recapitulation, revision and parody in new forms. Modernism also rejects the lingering certainty of Enlightenment thinking, as well as the idea of a compassionate, all-powerful Creator.
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The Section d'Or , also known as Groupe de Puteaux or Puteaux Group, was a collective of painters and critics associated with an offshoot of Cubism known as Orphism . Based in the Paris suburb of Puteaux, they were active from 1912 to around 1914, coming to prominence in the wake of their... controversial showing at the Salon des Indépendants in the spring of 1911. The movement began with an exhibition at the Galerie La Boetie in Paris in 1912, which was also accompanied by publication of the treatise Du Cubisme by Metzinger and Gleizes. In addition to featuring works by the Duchamp brothers, Raymond Duchamp-Villon,Jacques Villon and Marcel Duchamp, other exhibitors included artists such as Archipenko, Roger de La Fresnaye, Albert Gleizes, Juan Gris, Fernand Léger, André Lhote, Jean Metzinger, Jean Marchand and Francis Picabia, among others. The opening address was given by Guillaume Apollinaire. The group's title was suggested by Jacques Villon, after reading a 1910 translation of Leonardo da Vinci's Trattato della Pittura by Joséphin Péladan.
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