Giorgio Morandi

The San Francisco Museum of Modern Art is a modern art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art and was the first museum on the West Coast devoted solely to 20th century art. The... museum’s current collection includes over 26,000 works of painting, sculpture, photography, architecture, design, and media arts. The building complex was designed by Swiss architect Mario Botta. SFMOMA's Research Library was established in 1935 and contains extensive resources pertaining to modern and contemporary art, including books, periodicals, artists’ files, and lecture recordings. The museum also houses a restaurant, Caffè Museo, and a coffee bar run by the Blue Bottle Coffee Company. SFMOMA was founded in 1935 under director Grace L. McCann Morley as the San Francisco Museum of Art. For its first sixty years, the museum occupied the fourth floor of the War Memorial Veterans Building on Van Ness Avenue in the Civic Center. A gift of 36 artworks from Albert M. Bender, including The Flower Carrier by Diego Rivera, established the basis of the permanent collection.
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Italian Contemporary art refers to painting and sculpture in Italy from the early 20th century onwards. The founder and most influential personality of Futurism was the Italian writer Filippo Tommaso Marinetti, who launched the movement in his Futurist Manifesto in 1909. The Futurists expressed a... loathing of everything old, especially political and artistic tradition. They admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. The Futurists practised in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy. The leading painters of the movement were Umberto Boccioni, Carlo Carrà, Giacomo Balla and Gino Severini. They advocated a "universal dynamism", which was to be directly represented in painting. At first they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, later adopting the methods of Cubism.
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