Harry Potter and the Prisoner of Azkaban

Hermione Jean Granger is a fictional character and one of the three main protagonists of J. K. Rowling's Harry Potter series. She initially appears... in the first novel, Harry Potter and the Philosopher's Stone, as a new student on her way to Hogwarts. After Harry and Ron save her from a mountain troll in the girls' bathroom, she becomes close friends with them and often uses her quick wit, deft recall, and encyclopaedic knowledge to help them. Rowling has stated that Hermione resembles her at a younger age, with her insecurity and fear of failure. Hermione is a Muggle-born Gryffindor student, and the best friend of Harry Potter and Ron Weasley. Rowling states that she was born on 19 September 1979 and she was nearly twelve when she first attended Hogwarts. She is an overachiever who excels academically, and is described by Rowling as a "very logical, upright and good" character. Rowling adds that Hermione's parents, two Muggle dentists, are a bit bemused by their odd daughter but very proud of her all the same." They are well aware of the wizarding world and have visited Diagon Alley with her.
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Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but... rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical, cinematic or musical work. Fiction contrasts with non-fiction, which deals exclusively with factual events, descriptions, observations, etc. . Realistic fiction, although untrue, could actually happen. Some events, people, and places may even be real. This is termed 'Faction'. It can be possible that in the future imagined events could physically happen. For example, Jules Verne's novel From The Earth To The Moon, which at that time was just a product of his rich imagination, was proven possible in 1969, when Neil Armstrong and Buzz Aldrin set foot on the Moon, and the team returned safely to Earth. Realist fiction strives to make the reader feel as if they're reading something that is actually happening—something that though not real, is described in a believable way that helps the reader make a picture as if it were an actual event.
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Young-adult fiction or young adult literature , also juvenile fiction, is fiction written for, published for, or marketed to adolescents and young... adults, roughly ages 14 to 21. The Young Adult Library Services of the American Library Association defines a young adult as "someone between the ages of twelve and eighteen". Young adult novels have also been defined as texts written for the ages of twelve and up. Authors and readers of young adult novels often define the genre as "literature written for ages ranging from ten years up to the age of twenty" . Another suggestion for the definition is that Young Adult Literature is any text being read by adolescents, though this definition is still somewhat controversial. Accordingly, the terms young-adult novel, juvenile novel, young-adult book, etc. refer to the works in the YA category. Although YA literature shares the fundamental elements of character, plot, setting, theme, and style common to other genres of fiction, theme and style are often subordinated to the more tangible basic narrative elements such as plot, setting, and character, which appeal more readily to younger readers.
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Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural... fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. Speculative fiction as a category ranges from ancient works to both cutting edge, paradigm-changing and neotraditional works of the 21st century. Speculative fiction can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known, since ancient Greek dramatists such as Euripides whose play Medea seems to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure, and whose Hippolytus , narratively introduced by Aphrodite, Goddess of Love in person, is suspected to have displeased his contemporary audiences because he portrayed Phaedra as too lusty.
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