Love

Blue Thumb Records was an American record label founded in 1968 by Bob Krasnow, along with former A&M Records executives Tommy LiPuma and Don Graham. Krasnow had been in the record business for a number of years, working as a promotion man for King Records and also working for Buddah/Kama Sutra... Records. Blue Thumb was originally intended to be the name of Captain Beefheart's band, but Bob didn't think the name was right for the group. However, he chose the name for his label. Acts that appeared on the label include Beefheart, The Crusaders, Hugh Masekela, Sam Lay, Robbie Basho, Tom Rapp, Aynsley Dunbar's Retaliation , Modereko, Dan Hicks and His Hot Licks, Jimmy Smith, Dave Mason, The Pointer Sisters, T-Rex , Ike & Tina Turner, Love, Gábor Szabó, Mark-Almond, and National Lampoon . Blue Thumb started out using independent distribution, but went to Capitol/EMI for distribution during late 1970 until mid 1971.
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Harvest Records was a progressive rock label of EMI, active from 1969 to 1984. Harvest Records was created by EMI in 1969 to promote progressive rock music and to compete with Philips' Vertigo and Decca's Deram labels, initially under the direction of Malcolm Jones and Norman Smith. Harvest was... distributed in North America by EMI's US arm, Capitol Records. With a launch release by The Edgar Broughton Band, it was home to such classic artists as Deep Purple, Pink Floyd, The Move, Electric Light Orchestra, Barclay James Harvest, Climax Blues Band, Syd Barrett, Kevin Ayers and Little River Band; Harvest also promoted more experimental styles of music. In addition, Harvest was the European licensee for the American label Blue Thumb Records from 1969 to 1971. Harvest Records' focus changed slightly as the 1970s drew to a close, beginning with the signing of post-punk groups Wire, The Saints and The Banned. New Wave artists Thomas Dolby and Duran Duran released their debut albums on the label in North America. Iron Maiden's first three albums were also released in the US by Harvest Records. Pink Floyd switched to Capitol after the release of The Final Cut in 1983.
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Rhino Entertainment Company is an American specialty record label and production company. It is owned by Warner Music Group. Rhino was originally a novelty song and reissue company during the 1970s and 1980s, releasing compilation albums of pop, rock & roll, and rhythm & blues successes... from the 1950s through the 1980s. They were also known for releasing retrospectives of famous comedy performers, including Richard Pryor, Stan Freberg, Tom Lehrer, and Spike Jones. Starting during the late 1980s, Rhino transitioned into a complete entertainment company specializing in home video/DVD re-issues of television programs such as The Transformers, G.I. Joe, Jem, The Lone Ranger, My Favorite Martian, The World of Sid & Marty Krofft collection and Mystery Science Theater 3000, and Compact Disc releases of select artists and movie soundtracks. Rhino started as a record shop on Westwood Boulevard, Los Angeles, during 1973, run by Richard Foos. It became a record distributor five years later thanks to the effort of then-store manager Harold Bronson.
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Rhythm and blues, often abbreviated to R&B and RnB, is a genre of popular African-American music that originated in the 1940s. The term was... originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. The term has subsequently had a number of shifts in meaning. In the early 1950s, the term rhythm and blues was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of rock and roll, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. By the 1970s, rhythm and blues was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B developed, becoming known as "Contemporary R&B". Jerry Wexler of Billboard magazine coined the term "rhythm and blues" in 1948 as a musical marketing term in the United States. It replaced the term "race music", which originally came from within the black community, but was deemed offensive in the postwar world.
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