Madonna with the Blue Diadem

The Child Jesus represents Jesus from his Nativity to age 12. At 13 he was considered to be adult, in accordance with the Jewish custom of his time, and that of most Christian... cultures until recent centuries. The Child Jesus is frequently depicted in art, from around the third or fourth century onwards, in icons and paintings, sculpture, and all the media available. Common depictions are of Nativity scenes showing the birth of Jesus, with his mother, Mary, and his legal father Joseph. Depictions as a baby with his mother, known as Madonna and Child, are iconographical types in Eastern and Western traditions. Other scenes from his time as a baby, of his circumcision, Presentation at the temple, the Adoration of the Three Magi, and the Flight to Egypt, are common. Scenes showing his developing years are rarer . A number of apocryphal texts, the Infancy Gospels grew up with legendary accounts of the intervening period, and these are sometimes shown. The Scriptures and many apocryphal works were passed down either by word of mouth or through song, and later in works of art.
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Images of the Madonna and the Madonna and Child or Virgin and Child are pictorial or sculptured representations of Mary, Mother of Jesus, either alone, or more frequently, with... the infant Jesus. These images are central icons of Roman Catholicism and Eastern Orthodox Christianity where Mary remains a central artistic topic. No image permeates Christian art as the image of Madonna and Child. While Mary, the Mother of Jesus, may be referred to as "the Madonna" in other contexts, in art the term is applied specifically to an artwork in which Mary, with or without the infant Jesus, is the focus, and central figure of the picture. Mary and the infant Jesus may be surrounded by adoring angels or worshiping saints. Images that have a narrative content, including those of the many scenes which make up the Life of the Virgin, are not correctly referred to as "Madonnas" but are given a title that reflects the scene such as the Annunciation to Mary. The earliest such images date from the Early Christian Church and are found in the Catacombs of Rome. Representation of Mary became more common after the Council of Ephesus in 431.
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The Madonna and Child is one of the central icon of Christianity, representing the Madonna or Mary, mother of Jesus and her son. After some initial resistance and controversy, the... formula "Mother of God" was adopted officially by the Christian Church at the Council of Ephesus, 431. The earliest representation of the Madonna and Child may be the wall painting in the Catacomb of Priscilla, Rome, in which the seated Madonna suckles the Child, who turns his head to gaze at the spectator. The earliest consistent representations of Mother and Child were developed in the Eastern Empire, where despite an iconoclastic strain in culture that rejected physical representations as "idols", respect for venerated images was expressed in the repetition of a narrow range of highly conventionalized types, the repeated images familiar as icon . On a visit to Constantinople in 536, Pope Agapetus was accused of being opposed to the veneration of the theotokos and to the portrayal of her image in churches. Eastern examples show the Madonna enthroned, even wearing the closed Byzantine pearl-encrusted crown with pendants, with the Christ Child on her lap.
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Roman Catholic veneration of the Blessed Virgin Mary is based on dogma as well as Holy Scripture: In the fullness of time, God sent his son, born of a woman. The mystery of the... incarnation of the Son of God through Mary thus signifies her honour as Mother of God. From the Council of Ephesus in 431, which dogmatized this belief, to Vatican II and Pope John Paul II's Redemptoris Mater encyclical the Virgin Mary has come to be seen, not only as the Mother of God but also as the Mother of the Church. As the mother of Jesus Christ, Mary has a central role in the life of the Roman Catholic Church. The church's veneration of her as the Blessed Virgin Mary has grown over time both in importance and manifestation, not only in prayer but in art, poetry and music. Popes have encouraged this veneration but from time to time have also taken steps to reform it. Overall, there are significantly more titles, feasts and venerative Marian practices among Roman Catholics than any other Christian traditions. Pope Benedict XVI maintains that the Virgin Mary possesses divine motherhood which she continues to bestow as intercessory "graces associated with God's blessing.
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