Marie Antoinette

Woodbridge Strong "Woody" Van Dyke, Jr. was an American motion picture director. Born in San Diego, California, Van Dyke was a child actor on the vaudeville circuit. His early adult years were unsettled, and he moved from career to career until arriving in Hollywood. His first movie assignment was... as an assistant director on the D. W. Griffith feature motion picture Intolerance . That same year he was cast as Charles Dickens in the now lost 1916 film Oliver Twist. He also was one of the assistant directors on the film. During the silent era he learned his craft and by the advent of the talkies was one of MGM's most reliable directors. He came to be known as "One Take Woody" or "One Take Van Dyke", for the speed with which he would complete his assignments, and although not regarded as one of the screen's most talented directors, MGM regarded him as one of the most versatile, equally at home directing costume dramas, westerns, comedies, crime melodramas and musicals. Many of his films were huge hits and top box office in any given year. He received Academy Award for Best Director nominations for The Thin Man and San Francisco .
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Julien Duvivier was a French film director. He was prominent in French cinema in the years 1930-1960. Amongst his most original films, chiefly notable are La Bandera, Pépé le Moko, Panique, Voici le temps des assassins and Marianne de ma jeunesse. It was as an actor, in 1916 at the... Théâtre de l'Odéon under the direction of Andre Antoine, that Duvivier's career began. In 1918 he moved on to Gaumont, as a writer and assistant of, amongst others, André Antoine, Louis Feuillade and Marcel L'Herbier. In 1919 he directed his first film. In the 1920s several of his films had a religious concern; - Credo ou la tragédie de Lourdes, L'abbé Constantin and La Vie miraculeuse de Thérèse Martin - a film about the Carmelite saint Thérèse of Lisieux. In the 1930s Duvivier was part of the production company, 'Film d'Art', founded by Marcel Vandal and Charles Delac and he worked as part of a team. He stayed with them for nine years. David Golder, made in 1930, was his first success. It was also his first 'talkie' , as it was of the actor Harry Baur. They worked together many more times in the 1930s.
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