Moloko

The Echo Label was a record label started by Chrysalis Group in 1994, and linked with Pony Canyon in Japan. The Chrysalis Group were the original owners of Chrysalis Records, which they sold to EMI. In 2005, The Echo Label recorded a loss of over £2.0 million. The decision was taken to... restructure the business at the beginning of the 2006 financial year, into an "incubator" for developing writer-artists with the intention of "upstreaming" them to a major label. The signings which resulted from this included Bat for Lashes, Steven Lindsay, Rosalie Deighton, Jacob Golden, Sarabeth Tucek and Forever Like Red. They would continue to release records for their established artists Feeder and Morcheeba. However, in a Chrysalis Group report dated 15 August 2008, it was stated that The Echo Label had performed below management's expectations and had not upstreamed any artists in this period, other than Bat For Lashes who were transferred over to Parlophone in early 2007. Feeder had one more album left on the contract, and this resulted in Silent Cry, being the last Feeder album released by Echo. Feeder have now formed their own label called Big Teeth Music.
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Electronic music is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can... be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer. Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain. Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back.
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