Portrait of Elisabetta Gonzaga

Elisabetta Gonzaga was a noblewoman of the Italian Renaissance, renowned for her cultured and virtuous life. A member of the noble House of Gonzaga, she was a sister of Francesco... II Gonzaga, Marquess of Mantua and by marriage the Duchess of Urbino. Because her husband, Duke Guidobaldo da Montefeltro, was impotent, Elisabetta never had children of her own, but did adopt her husband's nephew and heir, Francesco Maria I della Rovere. Elisabetta was born in Mantua, Italy, the second daughter of Federico I Gonzaga, Marquess of Mantua and Margaret of Wittelsbach. Her brother was Francesco II Gonzaga. She married Guidobaldo da Montefeltro, the duke of Urbino, in 1489. Guidobaldo was sickly and impotent, and they had no children, but Elisabetta refused to divorce him and nursed him through his illnesses. Elisabetta's education led her to a life in the company of some the greatest minds of late 15th century Italy. Her court attracted writers, artists, and scholars. Her nobility gave her contact and involvement in the power politics of 16th century Italy. She was the sister-in-law of Isabella d'Este, an influential Renaissance patron and political figure.
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The Italian Renaissance was the earliest manifestation of the general European Renaissance, a period of great cultural change and achievement that... began in Italy around the end of the 13th century and lasted until the 16th century, marking the transition between Medieval and Early Modern Europe. The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jacob Burckhardt. Although the origins of a movement that was confined largely to the literate culture of intellectual endeavor and patronage can be traced to the earlier part of the 14th century, many aspects of Italian culture and society remained largely Medieval; the Renaissance did not come into full swing until the end of the century. The word renaissance means “rebirth”, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labelled the Dark Ages. These changes, while significant, were concentrated in the elite, and for the vast majority of the population life was little changed from the Middle Ages.
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