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XL Recordings is a British independent record label owned by Richard Russell. It originated as a 1989 offshoot of Beggars Banquet Records. Though only releasing an average of six albums a year, XL Recordings has worked with The Prodigy, Radiohead, The White Stripes, Dizzee Rascal, M.I.A., Vampire... Weekend, The xx, Gil Scott-Heron, Jai Paul, Tyler, the Creator, and Adele. The label releases albums worldwide and operates across a range of genres. The label was launched in 1989 to release rave and dance music. It was originally an offshoot of Beggars Banquet Records' more commercial dance label called Citybeat which was known for records by acts such as Freeez, Starlight, Dream Frequency and the Ultramagnetic MCs. However with the success of acts such as The Prodigy and SL2, XL superseded Citybeat in the company's line up. During the early nineties, XL Recordings releases were dance orientated ranging from Belgium techno to Breakbeat hardcore to Drum and Bass . This period of XL's history has been recorded on the XL Recordings Chapters compilation series.
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Electronic music is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can... be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer. Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain. Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back.
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