Rebels In Hell

Janet Ellen Morris is an American author of fiction and nonfiction, best known for her fantasy and science fiction and her authorship of a nonlethal weapons concept for the U.S. military. Janet Morris began writing in 1976 and has since published more than 20 novels, many co-authored with her... husband Chris Morris or others. Her first novel, written as Janet E. Morris, was High Couch of Silistra, the first in a quartet of novels with a very strong female protagonist. She has contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Her 1983 book "I, the Sun", a detailed biographical novel about the Hittite King Suppiluliuma I was praised for its historical accuracy; O.M.
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Heroes in Hell is a series of shared world fantasy books, within the genre Bangsian fantasy, created and edited by Janet Morris and written by her, Chris Morris, C. J. Cherryh and others. The first 12 books in the series were published by Baen Books between 1986 and 1989, and stories from the... series include one Hugo Award winner and Nebula nominee, , as well as one other Nebula Award nominee. The series was resurrected in 2011 by Janet Morris with the thirteenth book and eighth anthology in the series, Lawyers in Hell. The shared world premise of Heroes in Hell is that all the dead wind up together in Hell, where they pick up where they left off when still alive. The Encyclopedia of Fantasy states "In the long series of shared world adventures begun with Heroes in Hell, Hell becomes an arena in which all the interesting people in history can come together to continue the relentless pursuit of their various ends." Brian Stableford commented that the series "adapted the backcloth of Dantean fantasy as a stage for violent adventures with ironic echoes of infernal comedy".
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