Survivor

Satire is primarily a literary genre or form, although in practice it can also be found in the graphic and performing arts. In satire, vices,... follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement. Although satire is usually meant to be funny, its greater purpose is often constructive social criticism, using wit as a weapon. A common feature of satire is strong irony or sarcasm—"in satire, irony is militant"—but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of the very things the satirist wishes to attack. Satire is nowadays found in many artistic forms of expression, including literature, plays, commentary, and media such as lyrics. The word satire comes from the Latin word satur and the subsequent phrase lanx satura. Satur meant "full," but the juxtaposition with lanx shifted the meaning to "miscellany or medley": the expression lanx satura literally means "a full dish of various kinds of fruits.
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Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but... rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical, cinematic or musical work. Fiction contrasts with non-fiction, which deals exclusively with factual events, descriptions, observations, etc. . Realistic fiction, although untrue, could actually happen. Some events, people, and places may even be real. This is termed "faction". It can be possible that in the future imagined events could physically happen. For example, Jules Verne's novel From The Earth To The Moon, which at that time was just a product of his rich imagination, was proven possible in 1969, when Neil Armstrong and Buzz Aldrin set foot on the Moon, and the team returned safely to Earth. Realistic fiction strives to make the reader feel as if they're reading something that is actually happening—something that though not real, is described in a believable way that helps the reader make a picture as if it were an actual event.
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"If you like autobiographies, as I do, then you will be pleased to know that this one actually is an auto-biography. It has been written entirely by... the person themselves, quite a novelty these days, and she is not in her 20s having only experienced school, a part in a soap, pinup picks, or is famous for merely being famous. No. Francoise Pascal has experienced probably more than any one person should have in her life . Francoise is generous. To her friends; she is open hearted and empathetic . To charities; she gives time and hard work. To her son; she'd give her all, and now that she is to be a grandmother . . . look out baby, she'll try to give you the world. Francoise is unique. This is an honest book of a life well lived, if not always lived well" Jenny Hanley For more information about Francoise Pascal's Autobiography go to: http://francoisepascal.co.uk/register.
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Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural... fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. Speculative fiction as a category ranges from ancient works to both cutting edge, paradigm-changing and neotraditional works of the 21st century. Speculative fiction can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known, since ancient Greek dramatists such as Euripides whose play Medea seems to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure, and whose Hippolytus, narratively introduced by Aphrodite, Goddess of Love in person, is suspected to have displeased his contemporary audiences because he portrayed Phaedra as too lusty.
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