The Canterville Ghost

Children's literature as such probably started in the 17th century; it is generally believed that before then books were written mainly for adults.... Additionally, most printed works were hard to come by due to their cost and were mostly available for purchase only by upper class society. Scholarship on children's literature includes professional organizations, dedicated publications and university courses. There is some debate on what constitutes children's literature. The United Nations Convention on the Rights of the Child defines a child as "a human being below the age of 18 years unless under the law applicable to the child, majority is attained earlier". Some books written for children, such as The Young Visiters by Daisy Ashford or the juvenilia of Jane Austen, written to amuse brothers and sisters, are also written by children. Anne Frank wrote a novel and many very short stories in addition to her diary . Barbara Newhall Follett wrote four books, beginning with a novel called The House Without Windows at the age of nine; when the manuscript was destroyed in a fire, she rewrote it from memory.
more

Horror fiction also Horror fantasy is a genre of literature, which is intended to, or has the capacity to frighten its readers, inducing feelings of... horror and terror. It creates an eerie atmosphere. Horror can be either supernatural or non-supernatural. The genre has ancient origins which were reformulated in the eighteenth century as Gothic horror, with publication of the Castle of Otranto by Horace Walpole. Supernatural horror has its roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and the principle of evil embodied in the Devil. These were manifested in stories of witches, vampires, werewolves, ghosts, and demonic pacts such as that of Faust. Eighteenth century Gothic horror drew on these sources in such works as Vathek by William Beckford, The Mysteries of Udolpho and The Italian by Ann Radcliffe and The Monk by Matthew Lewis. A lot of horror fiction of this era was written by women and marketed at a female audience, a typical scenario being a resourceful female protagonist menaced in a gloomy castle.
more