The Descent from the Cross is the central panel of a triptych painting by Peter Paul Rubens in 1612-1614. The painting is the second of Rubens's great altarpieces for the Cathedral of Our Lady, Antwerp, Belgium, along with The Elevation of the Cross. The subject was one Rubens returned to again and again in his career. This particular work was commissioned on September 7, 1611, by the Confraternity of the Arquebusiers, whose Patron Saint was St. Christopher. Although essentially Baroque, the oil on panel piece is rooted in the Venetian tradition, and likely influenced by the work of Daniele... da Volterra, Federico Barocci and Cigoli, amongst others. In its composition and use of light, the triptych recalls Caravaggio's Roman period. Sequentially, the triptych describes the Visitation, the Descent from the Cross, and the Presentation of Jesus at the Temple. Theophile Silvestre wrote, in his "On Rubens' Descent from the Cross - 1868": “The principal subject is composed of nine figures: at the top of two ladders, workers are lowering the body of Christ with the aid of a shroud which one of them holds in his teeth, the other in the left hand.
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| Artist: | Peter Paul Rubens |
| Artform: | Painting |
| Date begun: | 1612 |
| Date completed: | 1614 |
| Genre: | History painting |
| Height: | 13' 10" |
| Width: | 10' 6" |