The Finishing Touch

Clyde A. Bruckman was an American writer and director of comedy films during the late silent era as well as the early sound era of cinema. Bruckman collaborated with such comedians as Buster Keaton, W. C. Fields, Laurel and Hardy, The Three Stooges, Abbott and Costello and Harold Lloyd. Bruckman ... may be best known for his collaborations with Buster Keaton, as Bruckman co-wrote several of Keaton's most popular films, including Our Hospitality, Sherlock Jr., The Navigator, Seven Chances, The Cameraman and The General, which Bruckman also co-directed. Bruckman continued directing comedies during the sound era, his most famous credit being The Fatal Glass of Beer, W. C. Fields' esoteric satire of Yukon melodramas. Unfortunately for his career path, Bruckman's fondness for alcohol caused production delays that cost him directorial assignments. From 1935 forward, Bruckman would be limited to writing scripts. Bruckman's wealth of silent-comedy experience earned him a steady position in Columbia Pictures' short-subject department.
more

Thomas Leo McCarey was an American film director, screenwriter and producer. During his lifetime he was involved in nearly 200 movies, especially comedies. French director Jean Renoir once said that "Leo McCarey understood people better than any other Hollywood director." Born in Los Angeles,... California, he graduated from the University of Southern California law school and began in the movie business as an assistant director to Tod Browning in 1920, but honed his skills at the Hal Roach Studios for the rest of that decade. Hired by Hal Roach in 1923, McCarey initially wrote gags for the Our Gang series and other studio stars, then produced and directed shorts, including two-reelers with Charley Chase. While at Roach, McCarey cast Stan Laurel and Oliver Hardy together and guided development of their onscreen characters, thus creating one of the most enduring comedy teams of all time. He only officially appeared as director of the duo shorts We Faw Down , Liberty and Wrong Again , but wrote many of the screenplays. By 1929, he was vice-president of production for the entire studio.
more