The Stars, Like Dust

Fiction is the form of any narrative or informative work that deals, in part or in whole, with information or events that are not factual, but... rather, imaginary—that is, invented by the author. Although fiction describes a major branch of literary work, it may also refer to theatrical, cinematic or musical work. Fiction contrasts with non-fiction, which deals exclusively with factual events, descriptions, observations, etc. . Realistic fiction, although untrue, could actually happen. Some events, people, and places may even be real. This is termed "faction". It can be possible that in the future imagined events could physically happen. For example, Jules Verne's novel From The Earth To The Moon, which at that time was just a product of his rich imagination, was proven possible in 1969, when Neil Armstrong and Buzz Aldrin set foot on the Moon, and the team returned safely to Earth. Realistic fiction strives to make the reader feel as if they're reading something that is actually happening—something that though not real, is described in a believable way that helps the reader make a picture as if it were an actual event.
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Speculative fiction is an umbrella term encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural... fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. Speculative fiction as a category ranges from ancient works to both cutting edge, paradigm-changing and neotraditional works of the 21st century. Speculative fiction can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known, since ancient Greek dramatists such as Euripides whose play Medea seems to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure, and whose Hippolytus, narratively introduced by Aphrodite, Goddess of Love in person, is suspected to have displeased his contemporary audiences because he portrayed Phaedra as too lusty.
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A whodunit or whodunnit is a complex, plot-driven variety of the detective story in which the puzzle is the main feature of interest. The reader or... viewer is provided with clues from which the identity of the perpetrator of the crime may be deduced before the solution is revealed in the final pages of the book. The investigation is usually conducted by an eccentric amateur or semi-professional detective. The locked-room mystery is a specialized kind of a whodunit. The "whodunit" flourished during the so-called "Golden Age" of detective fiction, between 1920 and 1950, when it was the predominant mode of crime writing. Many of the best writers of whodunits in this period were British — notably Agatha Christie, Nicholas Blake, G. K. Chesterton, Christianna Brand, Edmund Crispin, Michael Innes, Dorothy L. Sayers, Gladys Mitchell, Josephine Tey. Others — S. S. Van Dine, John Dickson Carr, and Ellery Queen — were American, but imitated the "English" style. Still others, such as Rex Stout, Clayton Rawson, and Earl Derr Biggers, attempted a more "American" style.
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