Tortilla Flat

Tortilla Flat is a 1942 film with Spencer Tracy, Hedy Lamarr, John Garfield, Frank Morgan, Akim Tamiroff, and Sheldon Leonard based on the novel by John Steinbeck. It was directed by Victor Fleming. Danny inherits two houses, so Pilon and his poor, idle friends move in. One of them, Pirate, is... saving money which Pilon endeavors to steal, until he discovers that it is being collected to purchase a golden candlestick which he intends to burn for St. Francis to honor the Pirate's dead dog. One of the houses burns down, so Danny allows his friends to move into the other house with him, and in gratitude Pilon tries to make life better for his friend. Things are fine at first until Danny's passion for a lovely girl causes him to actually go to work. A misunderstanding caused by Pilon about a vacuum cleaner causes Danny to lose it; he becomes drunk and a bit crazy. He almost dies in an accident in the cannery but through Pilon's prayers, is restored to health. He then marries his sweetheart with the promise that he will become a fisherman now that Pilon has found the money to buy a boat.
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A novel is a book of long narrative in literary prose. The genre has historical roots both in the fields of the medieval and early modern romance and... in the tradition of the novella. The latter supplied the present generic term in the late 18th century. Further definition of the genre is historically difficult. The construction of the narrative, the plot, the way reality is created in the works of fiction, the fascination of the character study, and the use of language are usually discussed to show a novel's artistic merits. Most of these requirements were introduced in the 16th and 17th centuries, in order to give fiction a justification outside the field of factual history. The fictional narrative, the novel's distinct "literary" prose, specific media requirements , a characteristic subject matter that creates both intimacy and a typical epic depth can be seen as features that developed with the Western market of fiction. The separation of a field of histories from a field of literary fiction fueled the evolution of these features in the last 400 years.
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