William Merritt Chase

The Richmond Art Museum was founded in 1898 as the Art Association of Richmond, Indiana. Artist John Elwood Bundy was instrumental in the founding. Its collection includes important works of American Impressionists, particularly from the Hoosier Group and the Richmond Group and the Taos School.... Important ceramics including a significant collection of the work of the Overbeck Sisters are part of the collection housed in McGuire Memorial Hall at Richmond High School. The museum is believed to be the only public art museum connected with a public high school. An icon of the collection is a very large self portrait of the American impressionist William Merritt Chase painted for the museum in 1915-16.
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The Princeton University Art Museum is Princeton University's gallery of art, located in Princeton, New Jersey. Founded in 1882, it now houses over 72,000 works of art that range from antiquity to the contemporary period. The Princeton University Art Museum dedicates itself to supporting and... enhancing the university’s goals of teaching, research, and service in fields of art and culture, as well as to serving regional communities and visitors from around the world. Its collections concentrate on the Mediterranean region, Western Europe, China, the United States, and Latin America. The museum has a large collection of Greek and Roman antiquities, including ceramics, marbles, bronzes, and Roman mosaics from Princeton University’s excavations in Antioch. Medieval Europe is represented by sculpture, metalwork, and stained glass. The collection of Western European paintings includes examples from the early Renaissance through the nineteenth century, and there is a growing collection of twentieth-century and contemporary art. Photographic holdings are a particular strength, numbering over 20,000 works from the invention of daguerreotype in 1839 to the present.
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American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States during the late 19th and early 20th centuries. American Impressionism is a style of painting characterized by loose brushwork and vivid colors. Impressionism... emerged as an artistic style in France in the 1860s. Major exhibitions of French impressionist works in Boston and New York in the 1880s introduced the style to the American public. Some of the first American artists to paint in an impressionistic mode, such as Theodore Robinson, did so in the late 1880s after visiting France and meeting with artists such as Claude Monet. Others, such as Childe Hassam, took notice of the increasing numbers of French impressionist works at American exhibitions. From the 1890s through the 1910s, American impressionism flourished in art colonies—loosely affiliated groups of artists who lived and worked together and shared a common aesthetic vision. Art colonies tended to form in small towns that provided affordable living, abundant scenery for painting, and relatively easy access to large cities where artists could sell their work.
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The Ten American Painters, generally known as The Ten, resigned from the Society of American Artists in late 1897 to protest the commercialism of that group's exhibitions, and their circus-like atmosphere. The Society had broken away from the National Academy of Design in New York City twenty years... earlier, in a progressive movement led by Thomas Eakins, Mary Cassatt, John Singer Sargent, James McNeill Whistler, and Winslow Homer. The Ten were Childe Hassam, J. Alden Weir, John Henry Twachtman, Robert Reid, Willard Metcalf, Frank Weston Benson, Edmund Charles Tarbell, Thomas Wilmer Dewing, Joseph DeCamp, and Edward Simmons. Abbott Handerson Thayer and Winslow Homer were asked to join the group when it was formed; however, they refused. When Twachtman died in 1902, William Merritt Chase joined in his place. All of The Ten were active in either New York City or Boston. They were generally considered exponents of Impressionism and established in their careers. In their charter, they agreed to resign from the Society and hold their own annual exhibition, protesting the Society’s perceived emphasis on “too much business and too little art.
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