X-Marks the Pedwalk

Metropolis Records is a Philadelphia, Pennsylvania based record label, distributor, and mail-order store specializing in the post-industrial field such as electro-industrial, synthpop, futurepop, darkwave, and gothic musical genres. Metropolis started business as a retail record store under the... name of "Digital Underground." Metropolis began signing acts as a record label in 1995, with groups such as Mentallo and the Fixer, Numb, and Front Line Assembly. It has arranged for its bands to tour together such as Numb and Front Line Assembly together in 1996, and Project Pitchfork and Front 242 in 1998. It also established extensive distribution channels to a variety of commercial channels, providing access to major commercial markets for typically niche-interest groups. By the late 1990s it had become the dominant specialty record label in North America for electro-industrial. Several groups once signed on Wax Trax! Records later released on Metropolis, including Front Line Assembly, Front 242, KMFDM, Doubting Thomas, PIG, Noise Unit, VNV Nation and Assemblage 23.
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Electronic music is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can... be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer. Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain. Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back.
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