Xinlisupreme

Fat Cat Records is an independent label based in Brighton on England’s South Coast. Their output includes electronica, post rock, indie, downtempo, minimal techno, noise and punk-pop. Artists of particular note signed to the label are Sigur Rós, Múm, Animal Collective, Frightened... Rabbit, The Twilight Sad and Vashti Bunyan. FatCat originally began in 1989 as a record store in Crawley, West Sussex, formed by Alex Knight and Dave Cawley. It moved to central London in 1990, and originally specialised in Detroit and Chicago-based techno and house music. The store closed down in 1997, and the record label was born in its place, initially releasing dance and electronic 12"s. A Belgian record store is currently named "FatKat", although it is not known if it is intended as a homage to FatCat. The label moved to Brighton in 2001. As well as Sigur Rós, another Icelandic band, Múm, were signed and proved successful for the label. The same year also saw the establishment of the 130701 imprint for the Set Fire To Flames album Sings Reign Rebuilder.
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Electronic music is music that employs electronic musical instruments and electronic music technology in its production. In general a distinction can... be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer. Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain. Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music. The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back.
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